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Title : The Truth About Father Crespi and His Missing Artifacts Finally Revealed
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The Truth About Father Crespi and His Missing Artifacts Finally Revealed

in April Holloway
ancient origins

The story of Father Crespi is a mysterious and controversial account of a priest in Ecuador that an unknown civilizations is alleged, artifacts of foreign gold, a system of underground caves containing a metal library, representations of strange figures that connect America to Sumer, symbols representing an unknown tongue, evidence of extraterrestrial contact and a Vatican conspiracy with thousands of artifacts missing. But how much of the story is true? ancient origins began to look for answers and was given exclusive access by the Central Bank of Ecuador to the collection of private artifacts Father Crespi, hidden in vaults and hidden stores, including plates controversial carved metal, which had not been seen or photographed for decades

. Left: Father Crespi holds a metal device that seems to contain a series of hieroglyphics. ( Source ). Right: Photographs of Crespi of the "Metal Library and find dozens of websites that tells the strange story of 'Credit :. Ancient-Origins.net
Google today named Father Crespi.' a humble priest and his relationship with a mysterious collection of artifacts. it is true, ancient origins is included among those who have revealed the strange story Crespi and lost artifacts. However, when myself and Dr. Ioannis Syrigos of ancient origins moved to Cuenca, Ecuador, and were visited by researchers Hugh Newman, founder of Megalithomania.co.uk , and Jim Vieira, who has participated in several History Channel programs, there was an opportunity to explore the features in greater depth and to discover what is really behind the story of father Crespi.

left: Hugh Newman, Jim Vieira and Dr. Ioannis Syrigos in the Crespi Museum at the Polytechnic Salesian University, Cuenca, Ecuador.
The man behind the mystery

Father Carlos Crespi Croci was a Salesian monk who was born in Italy in 1891. He studied anthropology at the University of Milan, before to become a priest. In 1923, he was assigned to the small Andean city of Cuenca in Ecuador to work among the Indians. It was here that he dedicated 59 years of his life to charity until his death in 1982.

Father Crespi is known for its multitude of talents - that was an educator, anthropologist, botanist, artist, explorer, director photography, and musician - as well as his intense humanitarian efforts in Ecuador, where an orphanage and educational facilities, assisted the poor was established, gave food and brochures money, and was very concerned for the people. Walking through the city of Cuenca, it is clear that Crespi won the hearts of people - today a statue of him to help a young child remains in the square opposite the church of Maria Auxiliadora, and the local population old enough to have known him share stories about their intense charitable efforts. Cuenca City Council has been working with the Vatican for years to have Father Crespi recognized as a saint.

Photography Father Crespi with some local children. Crespi Museum of the Salesian Polytechnic University. Credit: Ancient-Origins.net
However, it was not only people he helped Cuenca. Father Crespi also had a deep personal interest in the numerous indigenous tribes throughout Ecuador and tried to learn about their culture and traditions, as well as to offer help whenever possible. People talk about their dedication to a life of voluntary poverty, sometimes sleeping on the floor of small huts belonging to indigenous populations, with a single blanket.

then the clip was filmed by Father Crespi 1927 and is the first film of life and the Shuar culture community ever made.



the Crespi collection

it was due to the dedication of Father Crespi people began to bring artifacts and offers thanks. These artifacts came from all corners of the country and beyond, and were representative of the works of almost all indigenous cultures of Ecuador. Other objects, including numerous metal plates carved, were thought to be carvings today or replicas of ancient artifacts, but Crespi always showed great appreciation regardless of the value of the donation. Not wanting shame impoverished families, giving them money for nothing brochures, Crespi began paying some of the people of the objects they brought it. Philip Coppens explains.

"When poor people led him these plates or other artifacts that local people knew that he collected, he made sure they were rewarded for their efforts The I knew that many local families were poor, but pride prevented them from asking for money, unless it were payment for something. and therefore, more and more metal plates found their way to the cure. Some, Crespi was sure, were counterfeits - and were executed often the crudest "

Eventually, Father Crespi acquired more than 50,000 objects, many of which remained in the courtyard of the church Maria Auxiliadora until the Vatican him. he gave permission to start a museum to house the collection. Unfortunately, many of the artifacts were destroyed in a fire in 1962. After Father Crespi died, the remaining artifacts were removed and little trace of them remained. Several claims arose as to what happened to the artifacts that survived the fire - some say were stored in the basement of Mary Help file, others say they were sold to private collectors, or were sent to the Vatican. For decades, it was not little known or seen precious artifacts Crespi.

Father Crespi with a metal artifact in the church of Mary Help of Christians ( bilbiotecapleyades )
'Gold of the Gods'

While thousands of artifacts Crespi are normal in that they can be clearly classified according to their age and indigenous culture they belong to, was a small subset of the elements that provoked intense controversy.

Some of the artifacts are of Babylon in style, others seem to have been carved in gold with strange motifs and symbols than objects of any South American culture does not appear. Some of the golden plates appear to show a type of ancient writing, but as far as we are aware, are any of them and translated identified.

a subset of the most controversial artifacts from the Crespi collection, photographed by gold J Barton, who visited Father Crespi in the 1970s (Courtesy of Glen W. Chapman )
Richard Wingate, a browser-based Florida Father Crespi and writer visited the mid- to late 1970s and the extensive collection of artifacts photographed. He said: "In a dusty, cramped shed on the side porch of the Church of Mary Help of Christians in Cuenca, Ecuador, is the most valuable archaeological treasure in the land value of dazzling gold over a million dollars is cached. here, and a lot of money, however, the value of the hard currency of this forgotten treasure is not their capital value. There are ancient artifacts identified as Assyrian, Egyptian, Chinese, African and so perfect workmanship and beauty that any director the museum, consider acquisitions first class. from this treasure is the oddest collection of ancient artifacts in existence, its value lies in the historical issues raised and demands answers. However, it is unknown to historians and deliberately neglected in magazines of orthodox archeology. " [Compiladopor Glen W Chapman , 1998].

A video showing Father Crespi with the most controversial artifacts can be seen below. Crespi himself says that these devices did not come from Ecuador, but of Babylon.



In 1973, the Swiss 'ancient astronauts author' Eric von Daniken launched his sensational book ' the gold of the gods ', stating that Juan Moricz, an Argentine-Hungarian aristocratic entrepreneur, discovered a series of tunnels in the caves of the Tayos of Ecuador, which contained a "metal library" and numerous gold and it was these objects were given to Crespi, forming the controversial part of his collection. Moreover, Däniken said that the artifacts had been created by a lost civilization with the help of extraterrestrial beings. Father Crespi and the history of its artifacts rose to fame.

According Moricz and Däniken, the so-called metal library consisted of thousands of books made with metal pages, each page engraved on one side with symbols, geometric designs and registrations. So what happened to these mysterious metal books and pages and were they real? We planned to find out.

Inside the cave Tayos. ( Wikipedia )
Find Truth

In order to unravel the facts behind Father Crespi and missing artifacts, our first stop was in the church Maria Auxiliadora, where Crespi spent much of his life dedicated to religion and charity. We were greeted by the acting priest, Father Javier Herran, also Rector of Salesian Polytechnic University in Cuenca. Father Javier had personally met Father Crespi and was able to tell us about his life and his dedication to the people of Ecuador. He insisted that none Crespi collection had remained in Maria Auxiliadora after the fire, but instead was bought by the Central Bank of Ecuador. a meeting for us with Dr. Luis Alvarez, General Editor of the Salesian Polytechnic University, which could tell us more organized.

father Javier Herran (left) and Dr. Luis Alvarez (right) met us at the Salesian Polytechnic University to tell the story of father Crespi and its artifacts.
Dr. Alvarez is an expert on Father Crespi and took us to a small museum on the grounds of the University containing some of the personal possessions of Crespi. We said Crespi collection accumulates as a result of his generous to the people of Ecuador work and that Daniken's account was completely false. According to Dr. Alvarez, he Crespi himself was surprised when he heard claims about the caves and stories of extraterrestrial civilizations and lost Tayos. Dr. Alvarez was very keen to separate Father Crespi for what he said were sensational stories and facts wrong and said we could bring himself to see the collection - we were delighted! The collection had not been seen or photographed for decades and now have the chance to see for ourselves.

Dr. Alvarez made arrangements for the Central Bank of Ecuador to open its collection of private museum for us to see. a team of experts met, among archaeologists, anthropologists, and even police escorts her to take us through the storage rooms containing valuable collection of Crespi. Rows and rows containing thousands of artifacts waiting for us. They had been carefully cataloged according to their age and culture that had belonged to - figurines, ceremonial seats, weapons, stone sculptures, ceramics, jewelry, computing systems ancient, religious icons, and even elongated skulls and shrunken heads formed part Crespi impressive collection, but no metal plates.

Thousands of artifacts from the collection of Father Crespi in storage vaults of the Central Bank of Ecuador. Credit: Ancient-Origins.net
Hundreds of figures from the collection of Father Crespi. Credit: Ancient-Origins.net
An ancient carving used for calculations and numbers of registration, Father Crespi collection. Credit: Ancient-Origins.net
An elongated skull collection of Father Crespi. Credit: Ancient-Origins.net
unusual zoomorphic head of the collection of Father Crespi. Credit: Ancient-Origins.net
shrunken human heads in the collection of Father Crespi. Credit: Ancient-Origins.net
Location of Metal Library

When asked about the metal plates told us they were regarded simply as waste and that the Central Bank refused to buy them because they were proven to be false. We wanted to see for ourselves. Dr. Alvarez organized a police escort to take us to the metal plates. They were located at the opposite end of the building complex in a locked storage area of ​​an old building in disrepair. We were shocked - metal plates and artifacts were scattered all over the floor, lying in cardboard boxes, and gathered in various batteries. It was clear that no value was attributed to these plates.

carved metal plates from the collection of Father Crespi scattered on the floor in an old building in disrepair. Credit: Ancient-Origins.net
The metal plates were clearly not made of gold but a soft and flexible metal that looked more like aluminum. The carvings were crude and in some cases child. It is true that many of them contained unusual figurines and strange scenes, but no one seemed different from today carvings on cheap metal leaves nothing. Was it really the metallic Library that Däniken had written about sensational "Gold of the Gods'?

Some of carvings are crude and simplistic, almost childish. Credit: Ancient-Origins.net
Jim Vieira examination . of one of the metal plates that had been tossed in a corner in an old storage room Credit: Ancient-Origisn.net
Some of the metal sculptures were more complex, representing strange figures, pyramids, suns and geometric designs, as Däniken had reported, but still seemed little more than the size of today in the metal . cheap Credit: Ancient-Origins.net
Truth Revealed and unanswered questions

Our research has allowed us to verify the following facts:

• father Crespi collection is not to lose, but was acquired by the Central Bank of Ecuador and is currently stored in the vaults of the museum.
• Most of the Crespi collection consists of authentic and valuable artifacts from around the Ecuador.
• The so-called metal library mentioned by Däniken is nothing more than the size of today on the cheap metal.

But ... there is still a number of unanswered questions - where are the artifacts that were photographed and filmed in the 1970s are consisting of gold carvings, hieroglyphics and figures Sumerians? Why are not anywhere to be seen in the Central Bank of Ecuador storage rooms? They were genuine? And if so, what is its significance? No one at the Polytechnic Salesian University, Church of Mary Help or the Museum of the Central Bank were able to answer these questions.

While the story of Father Crespi was clearly sensational, dramatized, and forged along the decades, there remains a real mystery about a small number of artifacts and so far, we are no closer to finding the answers are.

"The Truth About Father Crespi and His Missing Artifacts Finally Revealed", article source: riseearth.com

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